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Pcm d50

Manufactured by Sony
Sourced in China, Japan

The PCM-D50 is a portable digital audio recorder developed by Sony. It features high-quality audio recording capabilities, with support for up to 24-bit/192kHz PCM audio formats. The device includes built-in omnidirectional stereo microphones and offers various recording modes and options to cater to different audio recording needs.

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Lab products found in correlation

11 protocols using pcm d50

1

Capturing Piano Performance Acoustics and Kinematics

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Sound was recorded using a digital audio recorder (Sony PCM-D50) placed 1 meter away from the right side of the piano’s soundboard at a height of approximately 1.4 meters. A digital sound-level meter (Extech 407730), placed right beside the digital audio recorder, was used to obtain the actual sound pressure level (SPL) of the tone target. Pianists’ kinematics was collected using Nexus (version 2.6) and an 18 VICON camera motion analysis system (Oxford Metrics Ltd., Oxford, United Kingdom) at a sampling rate of 150 Hz. The lid of the grand piano was closed to reduce marker occlusion during the recording of trials.
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2

Acoustic Characterization of Undescribed Species

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The advertisement calls of the undescribed species were recorded from the holotype specimen CIBAL20190531018 in the field on 31 May 2019 in Anlong County, Guizhou Province, China. The advertisement call of the undescribed species was recorded in the stream at ambient air temperature of 18.5 °C and air humidity of 83%. SONY PCM-D50 digital sound recorder was used to record within 30 cm of the calling individual. The sound files in wave format were resampled at 48 kHz with sampling depth 24 bits. The sonograms and waveforms were generated by WaveSurfer software (Sjöander and Beskow 2000 ) from which all parameters and characters were measured. Ambient temperature was taken by a digital hygrothermograph.
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3

Acoustic Analysis of Cicada Vocalizations

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Acoustic recordings were made using a digital recorder with in-built stereo microphones (PCM-D50, Sony, China; frequency range 20–20000 Hz, 44.1 kHz/16 bit sampling resolution). The distance between the microphone and the insect was between 10 and 20 cm. Sounds were recorded in WAV file format, and sounds recorded on the left channel were used for acoustic analysis. The sounds were edited and analysed using Raven Pro 1.4 (The Cornell Lab of Ornithology, Ithaca, NY, USA) and the Seewave package48 (link), a custom-made library of the R software platform49 . The temporal properties of the sounds were measured from oscillograms, and the frequency parameters were obtained from spectrograms. Only high-quality sounds (low background noise, no overlap with other sounds) were included in acoustic analyses. The terminology used to describe acoustic signals follows that of Alexander1 (link). All acoustic recordings were made between 9:00 and 15:00 hours, a period that corresponded to the peak acoustic activity of this cicada species. In reporting analysis of song structure we combined data from all analysed calls from all recorded individuals. We recognise this may bias the data if some individuals have more songs analysed than others, but the broad pattern of song structure was constant across all individuals within sexes, so we anticipate that if this error exists it is small.
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4

Overnight Song Recording of Specimens

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All the specimens were kept singly in a plastic box (diameter 20 mm, height 50 mm) with small holes in the laboratory. We recorded songs overnight by placing a Sony PCM-D50 (Sony, China) recorder near the box, and replayed songs in Raven Lite v. 2.0 (Bioacoustics Research Program, Cornell Lab of Ornithology).
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5

Nocturnal Oximetry and Snoring Monitoring

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Unattended nocturnal SpO2 and snoring signals were recorded in a home environment. The caregivers were shown how to simultaneously start a wearable wrist pulse oximeter (3100 WristOx, Nonin Medical, Inc., Minneapolis, MN, USA). The fingertip sensor was used to obtain the SpO2 signal (The Novametrix 520 and the 3100 WristOx) and was configured at a 0.5 Hz sampling frequency. Furthermore, the portable sound recorder using linear pulse-code modulation (PCM-D50, Sony Electronics Inc., Tokyo, Japan) was positioned 50 cm above the child’s head when they fell asleep between 21:00 to 24:00 [9 (link)].
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6

Bioacoustic Analysis of Leptobrachella jinshaensis

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The advertisement calls of L.jinshaensis sp. nov. were recorded from the holotype specimen CIBJS20200516004 in the field on 16 May 2020 in Lengshuihe Nature Reserve, Jinsha County, Guizhou Province, China. The advertisement call of L.jinshaensis sp. nov. was recorded in the stream at ambient air temperature of 20 °C and air humidity of 87%. A SONY PCM-D50 digital sound recorder was used to record within 20 cm of the calling individual. The sound files in wave format were resampled at 48 kHz with sampling depth 24 bits. Calls were recorded and examined as described by Wijayathilaka and Meegaskumbura (2016) (link). Call recordings were visualised and edited with SoundRuler 0.9.6.0 (Gridi-Papp 2003–2007) and Raven Pro 1.5 software (Cornell Laboratory of Ornithology, Ithaca, NY, USA). Ambient temperature of the type locality was taken by a digital hygrothermograph. For comparison, bioacoustics data for the related species L.bijie and L.chishuiensis were obtained from Li et al. (2020a) (link).
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7

Swamp Sparrow Song Repertoire Recordings

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We recorded the song repertoires of 615 adult male swamp sparrows between 05 May 2008 and 12 July 2009 from six populations across north-eastern USA (Supplementary Table 1). All populations are within the species range of the subspecies M. g. georgiana. We recorded the location of each individual’s territory using a hand-held GPS device. Recordings were made with a Sony PCM D50 digital recorder at a sampling rate of 44.1kHZ and at 16bits, using a Shure SM57 microphone mounted in a Sony PBR 330 parabola. To maximize the chances of recording each of the syllable types in a male’s repertoire, we recorded each male for either at least one hour or until it cycled through its supposed repertoire at least 1.5 times57 (link),58 (link). We selected one exemplar for each syllable type in each individual’s repertoire, based on a subjective assessment of recording quality.
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8

Acoustic Analysis of S. yangi Females

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The sounds produced by S. yangi females were recorded using a linear PCM recorder with stereo microphones (PCM-D50, Sony, China; frequency range 20–20000 Hz and a 44.1 kHz/16 bit sampling resolution). The sounds were recorded in WAV file format, and the sounds recorded on the left channel of the recorder were used for acoustic analysis. Acoustic analysis was conducted using the Raven Pro 1.4 (The Cornell Lab of Ornithology, Ithaca, NY, USA) and the Seewave package [36 ], a custom-made library of the R software platform [37 (link)].
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9

Acoustic Characterization of New Bird Species

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Ten advertisement calls from two individuals of the new species were recorded on 18 May 2018 between 21:00–23:00 in Chishui City, Guizhou Province, China in the field. SONY PCM-D50 digital sound recorder was used to record within 20 cm of the calling individuals. The sound files in wave format were resampled at 48 kHz with sampling depth 24 bits. The sonograms and waveforms were generated by WaveSurfer software (Sjöander and Beskow 2000 ) from which all parameters and characters were measured. Ambient temperature was taken by a digital hygrothermograph.
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10

Recording and Analysis of Frog Calls

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The advertisement calls of the new taxon from Xianju County, Zhejiang Province, China were recorded in the field. SONY PCM-D50 digital sound recorder was used to record within 20 cm of the calling individuals. The sound files in wave format were resampled at 48 kHz with sampling depth 24 bits. The sonograms and waveforms were generated by WaveSurfer software (Sjöander and Beskow 2000 ) from which all parameters and characters were measured. Ambient temperature was taken by a digital hygrothermograph.
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